ASD icon blue inverse lighter

ASD Staff

Daily Smile

[{"type":"text","text":"Now let's all enjoy a puppy fighting some cauliflower..."}]

Smile 26 4 28

<title>Daily Smile: Tuesday, April 28, 2026</title>

Now let's all enjoy a puppy fighting some cauliflower...

Daily Smile: Tuesday, April 28, 2026

 Now let&#039;s all enjoy a puppy fighting some cauliflower...

Katie Helland Headshot

Katie Helland

Arts & Entertainment

Aloha Spirit

 is playing slack key guitar in the airport. To his left are cousins and to his right is his girlfriend, more cousins and his grandparents, Milton and Anne Lau, the founders of the Hawaiian Slack Key Guitar Festivals.

A flight attendant for Hawaiian Airlines walks by and smiles.

In less than 26 hours, this group of 10, which includes six grandkids and two of their girlfriends, will be putting on the 29th Annual Hawaiian Slack Key Guitar Festival - Kona Style on Hawaiʻi Island. The festival, 

organized by the Kī-hōʻalu Foundation, Inc., took place Sunday, Oct. 18. Celebrating almost 30 years of music, it is older than most of the ʻohana making it happen.

Over 44 years, Milton and Anne Lau, who live in 

 have put on more than 140 festivals across the state. That number doesn’t count slack key guitar festivals held on the Mainland and in Japan. This year, they have already orchestrated festivals on Oʻahu, Maui and Hawaiʻi Island, with Kauaʻi just a few weeks away. Next year will mark 45 years of festivals on Oʻahu, 36 on Maui, 35 on Kauaʻi, and 29 on Hawaiʻi Island.

[{"type":"text","text":"Anne is 70. Milton won’t disclose his age on the record. "}]

At the moment, as the family waits for their plane at the Daniel K. Inouye International Airport in Honolulu, laptops and tablets are open. Coffee is in hand. Milton explains that two grandsons will be continuing a three-generation family legacy by playing this weekend: Micah at the start of the festival and Ryder in the middle of it.

For this festival, many of the artists won’t arrive in Kona until Sunday, but the Lau family is heading over a day earlier.

“Aloha, Flight 1108 will now begin boarding...” a voice drones over the loudspeaker.

Suddenly, Ryder zips his guitar into its bag. It’s about 20 minutes to take-off and the ʻohana is on the move.

As the family boards the plane, the sound of slack key guitar music fills the cabin over the speakers. The melodic chords of “Radio Hula” drift across the aircraft, and soon the plane is airborne.

The flight between Honolulu and Kona is less than an hour. As the aircraft begins its descent, the captain announces it is 84 degrees.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“Winds are west today,” he adds."}]

[{"type":"text","marks":[{"type":"textStyle"}],"text":"We’re in Kona."}]

The grandkids collect the luggage, while Milton and Anne head to the car rental to grab rides. Normally, they drive vans, but today they have a Nissan Armada and a Wagoneer. Milton arrives in one, and Anne, who normally drives a Prius, is in the other.

This is Anne’s second trip to Hawaiʻi Island in the past six months. She was last here in April to watch her granddaughter, Kala Lau, perform at the Merrie Monarch Festival.

It’s hot and humid. The first year of the Kona festival, the event was held outdoors, Milton explains. They quickly decided not to do that again.

“Since then, we’ve been indoors and air-conditioned,” he adds.

In the car, the air conditioning is on and pop music is playing. The vehicles pull into a parking lot about four miles from the airport and the family is making its first stop: Mrs. Barry’s Kona Cookies. The ʻohana fills the store, where a sign on the wall inside reads: “Happy Birthday Mrs. Barry 90, loved and blessed.”

Milton and Anne begin ordering cookies for the entire family. Haukea, who is the youngest Lau on the trip, is especially excited.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“Yay!” she says."}]

After, Milton, Anne, Haukea, and her sister, Olena, head to Costco to get canned food for The Salvation Army, which will collect cans at the festival.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"But, cookies had to come first."}]

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“Priorities,” says Anne."}]

As the car follows the ocean toward Outrigger Kona Resort & Spa, the Laus share how they met. Anne grew up on the West Coast in Washington. She moved to Oʻahu to attend the University of Hawaiʻi at Mānoa and never left. More specifically, she met Milton.

They met by accident — literally. The young surfer ran into her while riding his bicycle. He was single, so after making sure she was OK, he decided to invite her to a party.

“And the rest is history!” adds Anne, with a laugh.

They have been married more than 50 years. Together, they share 14 grandkids, six of whom are on this trip.

Milton and their son, Chris, have won a Nā Hōkū Hanohano Award and been nominated for three Grammy Awards as producers. As a musician, Milton started his career playing top 40 music in clubs and has played bass guitar, guitar and piano. Chris plays bass.

“I play the radio,” Anne tells Aloha State Daily later.

In the back seat, Haukea practices the multiplication table of 12. The full-size SUV veers toward a road with an entrance lined in palm trees, and suddenly the sign for the Outrigger Kona Resort & Spa is in sight.

As Anne pulls into the valet, she rolls down the window to say hello to Ron, who has worked here for many years.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“We’re back!” she says."}]

Slack key guitar predates the ʻukulele in Hawaiʻi. When the 

Brittish gifted cattle to King Kamehameha I

 in the early 1800s, they ran wild. Eventually, King Kamehameha III brought in 

, or Spanish-Mexican cowboys, to teach the Hawaiians how to handle the cattle. And the vaqueros brought guitars.

“Hawaiians never even saw that kind of instrument before,” Milton said. “I guess at the end of the day, they would play the guitars around the campfire and whatever. And the Hawaiians were fascinated.”

When the contract ended, the vaqueros headed back to California and left their instruments.

“But they didn't give them any lessons,” he said. “That meant they had to figure out how to play this stuff.”

The paniolo, or Hawaiian cowboy, did not know how to tune a guitar and simply adjusted the strings until it sounded pleasant. 

,” Milton said. “The different cowboys and their families came up with their own tunings, and they wouldn't tell the other guys what their tunings were.”

[{"type":"text","marks":[{"type":"textStyle"}],"text":"Today, there are fewer secrets."}]

“Really, it's kind of a great story about how the Hawaiians had great ears and a love of music,” he said.

Milton started the slack key guitar festivals in honor of his friend, Gabby Pahinui, a legendary slack key master who used to hold kani ka pila sessions where musicians played music at his home in Waimānalo. When asked to pick just a few words to describe Pahinui, Milton selected inspirational and charismatic.

“And kolohe,” adds Anne, using the Hawaiian word for mischevious.

After Pahinui died in 1980, the City and County of Honolulu dedicated the pavilion at Waimānalo Beach Park

in his name. Milton helped organize a festival in Waimānalo to celebrate Pahinui’s contributions to music, and about 5,000 people showed up, he said. It was so popular, they brought it back the next year, moving it to the Lester McCoy Pavilion at Ala Moana Regional Park.

Eventually, Milton approached the Bank of Hawaiʻi, which was the event’s title sponsor for about 15 years. Soon, the festivals were being televised.

“Then, we went three years, five years, seven years, eight years, 10 years,” Milton said. “What happened was after the 10th year, I realized that if people are interested with this in Honolulu, maybe other Neighbor Islands, they would be interested. I expanded to the Neighbor Islands and I started with Maui.”

At one point, there were festivals on Molokai and in Japan, as well as across the Mainland, including in Washington, Oregon, Nevada, California, New York, New Jersey, Maryland and Virginia. But eventually, it became hard to live in so many hotels, Milton said. Today, the festivals on Oʻahu, Maui, Hawaiʻi Island and Kauaʻi remain.

Now, the events are funded with grants from the Hawaiʻi Tourism Authority, which has sponsored the festivals for about 25 years.

The festivals are also run with a whole lot of family support.

“I gotta tell you that if I didn't marry her, probably the festival wouldn’t continue,” Milton said, as he sits next to his wife.

“In the early days, we would do a whole lūʻau for the musicians,” Anne adds.

She and Milton’s parents would be backstage preparing the food.

“It’s kept our family really close,” she said.

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"Showtime in Kona "}]

The first musician to take the stage for the 29th Annual Hawaiian Slack Key Guitar Festival - Kona Style is Milton and Anne’s grandson, Micah Lau. He jumps on stage about a half hour before the festival starts to play a set for the growing audience inside the Kaleiopapa Convention Center.

After playing a few songs, Micah tells the audience he is trying to learn “Radio Hula” and “Yellow Ginger Lei” from Uncle 

“I’ll play until I don’t remember the rest,” he says.

He starts the first chorus, and the crowd 

As the official program starts, entertainers of all ages take the stage and share the many sounds of slack key guitar. One of them yodels. Another adds the sound of a train.

The musical line-up for this festival features 15 musicians from across the state, including the Nā Hōkū Hanohano Lifetime Achievement Award honoree 

, who was born and raised on Oʻahu; Anthony Pfluke, who recently won the Nā Hōkū Hanohano Award for 

, who recently won the Nā Hoku Hanohano Award for 

 and was born and raised on Hawaiʻi Island.

In the middle of the festival, Milton and Anne's grandson, Ryder, takes the stage. The first time he performed at a slack key festival was three years ago on Kauaʻi, his grandfather explains. Milton gave him six months to learn the song.

“And all the musician uncles came up in the front row,” adds Anne, as she remembers that first performance at a festival. “No pressure.” 

Sometimes musicians request that one of their granddaughters dance hula, as recently happened in Waikīkī, when Kala performed under the stars. Today, she is taking pictures.

After the festival, Milton and Anne return the sound system and take the entire family out to get hamburgers to celebrate.

In just three weeks, the family will bring another festival to the state. The 

34th Annual Hawaiian Slack Key Guitar Festival - Kauaʻi Style

 will take place from 1 p.m. to 5 p.m. at the Outrigger Kauaʻi Beach Resort & Spa. Kamaʻāina can buy tickets at the door to see a line-up of at least a dozen artists, including multiple Nā Hōkū Hanohano Award winning musicians, for $15.

Milton plans to run the festivals for at least 50 years.

“I know that one day I’m not going to be able to do it,” he said. “The good thing is the family has been involved a long time. All the musicians have been involved. And they all tell me: ʻHey don’t worry because when you're not able to do it, we're going to work with your kids or sons and whatnot to keep it going.’ ”

As he speaks, Ryder plays slack key guitar quietly in a lounge at Ellison Onizuka 

[{"type":"text","marks":[{"type":"textStyle"},{"type":"italic"}],"text":" "}]

34th Annual Hawaiian Slack Key Guitar Festival – Kauaʻi Style

[{"type":"text","marks":[{"type":"textStyle"},{"type":"italic"}],"text":"Sunday, Nov. 8"}]

[{"type":"text","marks":[{"type":"textStyle"},{"type":"italic"}],"text":"1 p.m. to 5 p.m."}]

Kamaʻāina tickets are $15 at the door. Tourists tickets are $25.

Festival family

<title>When music meets ʻohana: In tune with the Lau family</title>

Anne and Milton Lau have organized slack key guitar festivals across Hawaiʻi for more than 40 years. The festival founders share how three generations of family celebrate the tradition of kī-hōʻalu, or slack key guitar, and keep a musical tradition alive.

When music meets ʻohana: In tune with the Lau family

Square Mike Brestovansky Headshot RGZ3736 Large

Michael Brestovansky

Crime & Courts

A man who allegedly shot an elementary school building in ‘Aiea last month faces up to 15 years in federal prison.

According to U.S. District Court records, Honolulu resident Joseph Chester Brown, 51, allegedly fired a gun during a road rage incident shortly after noon on Monday, September 21 near ‘Aiea Elementary School.

Honolulu Police officers learned that two men were seen arguing just outside the elementary school campus, shortly before a gunshot was heard coming from the direction of their altercation.

Later, a fresh bullet hole was found in the wall of a nearby school building. School was in session at the time of the shot.

A subsequent police investigation identified Brown as the alleged shooter. The other man in the altercation told officers that he had been standing next to his truck when Brown drove up to him and pointed a firearm at him.

Brown was arrested on Oct. 22. During his arrest, he was reportedly in possession of a loaded firearm with the serial number filed off.

Brown has a criminal history in Hawai‘i: in 1999, he was sentenced to 20 years in prison for first-degree robbery, and was released in 2018. Consequently, Brown, as a convicted felon, is not permitted to own a firearm.

However, Brown was not charged with being a felon in possession of a firearm, nor with possession of a firearm with an obliterated serial number, both of which have sentences of up to 10 years in prison. Instead, he was charged in U.S. District Court with unlawful transport of ammunition, a charge carrying a maximum sentence of 15 years in prison, and a fine of up to $250,000.

According to an HPD report, the ammunition used in the altercation necessarily must have been transported to the state. Convicted felons are prohibited by federal law from any interstate transportation of ammunition, hence the more severe charge.

Brown pled not guilty to the charge on Friday, but remains in the custody of U.S. Marshals. Federal prosecutors have requested that Brown be held without bail; a hearing on that matter is scheduled for Oct. 28, and a trial is set for Dec. 22.

Hpd 16x9

<title>Honolulu man charged for allegedly shooting ‘Aiea school building</title>

Joseph Chester Brown faces 15 years in federal prison over road rage incident.

Honolulu man charged for allegedly shooting ‘Aiea school building

Christian Shimabuku Headshot

Christian Shimabuku

Sports

During one of the first official practices for the University of Hawai‘i men's basketball team ahead of the upcoming 2026-2027 season, a staffer was seen lobbing a silky, perfectly placed alley-oop to a Rainbow Warrior forward. Who was this mystery man with the assist, and what's his hoops background? 

Upon further inspection, it turned out the pass came from Brett Sheward, the team's new graduate manager. Sheward certainly knows a thing or two about dishing assists to high-flyers, though most of his expertise in that regard came from the volleyball court. 

Sheward, a Southern California native, was a member of the University of Hawai‘i men's volleyball team from 2019 to 2023. In the team's COVID-shortened 2020 season, he started eight of the team's 16 matches at setter. After backing up eventual AVCA Player of the Year Jakob Thelle in 2021, Sheward was the team's primary libero in 2022 and 2023, a crucial cog for a program that won national titles in 2021 and 2022 before losing in the 2023 NCAA championship match. 

Ahead of his final collegiate season in 2024, Sheward transferred to UC Irvine, where he went back to being a setter and helped the Anteaters reach the NCAA semifinals. 

With his playing career behind him, Sheward is back at UH-Mānoa pursuing a graduate degree in finance with eyes on a potential career in basketball. 

"I was always trying to get into basketball eventually," Sheward told Aloha State Daily. "I've always loved it and thought about it for the past four or five years, just trying to think about what's available in the basketball space, sort of the behind-the-scenes work, not the coaching side. Studying finance, trying to mix sports and the finance world, and just thought of ways I can get experience in that space. 

"That was the feedback I got from people I talked to in the industry: get a graduate degree, then move on to jobs further than that. It's a good experience to start as a GA, and honestly, it's been great because it's all new to me, right? I get to do a little bit of everything and be visible and learn everything about how a basketball team is run and operates."

Sheward grew up loving basketball and playing on various teams but chose to focus on volleyball midway through high school when it became clear the latter would be his sport at the college level. The new gig has allowed him to reconnect with basketball and as he's already shown, he doesn't mind getting in on the action from time to time. 

"I absolutely love [basketball]. I think it's an awesome game. It's another true team sport where everyone has to be connected. That part of it is awesome," Sheward says. "But I'm by no means a good basketball player. I just love it. ... I still love playing. We get to play usually on Tuesdays and Thursdays with the staff, so that part has been fun, and hopping in every once in a while in practice."

How would Sheward describe his game during pickup runs? 

"Definitely a pass-first, effort, defense guy," he says. "I'll hit an open 3 if it's a slow set shot, but definitely more of a defensive guy. I think defensive in every sport, honestly, if I really think about it, like trying to anticipate what the offensive guy is trying to do, and then just the effort part. So defense first for sure, and let the other guys on the team score."

Sheward describes the opportunity with the men's basketball team as "killing two birds with one stone." On top of the experience he's set to accumulate, he'll graduate with his master's in finance in the spring. Between now and then, he's ready to pay his dues on the hardwood. 

"You're starting at the bottom. You got to work your way up, and you have to be ready for anything. You're on call, and your goal is to try and make everyone's lives easier. Coaches, players, and trying to make it run smoothly. If there's something that you're asked to do, no matter how small the task, you got to be willing to do it, and you got to come at it with a lot of humility and no ego. It's been great," Sheward said. "The coaches have been awesome in terms of the relationship piece and just building trust with each other."

Though Sheward is still new to the gig and vice versa, count UH men's head coach Eran Ganot as one of those impressed by his presence in the early going. 

"His love for Hawai‘i, his love for UH, his love for the athletic department, his work ethic, his character, and he wanted to get into this side," Ganot said when asked how the Sheward hire came about from his perspective. "He's already made a big impact for us. Obviously, everybody knows about his leadership values, his understanding of winning, but he's just been a breath of fresh air. 

"He's a hard worker and has a bright future. He has a basketball background, and now he's getting thrown in the fire. But just such a great attitude every day, and it's really been helpful for us."

Brett Sheward 102326

<title>Former Hawai‘i men's volleyball standout Brett Sheward joins men's basketball program as…</title>

With his sights set on a potential career in basketball, Sheward is ready to pay his dues on Eran Ganot's staff.

Former Hawai‘i men's volleyball standout Brett Sheward joins men's basketball program as graduate manager

De Soto 2025

DeSoto Brown

Hawai‘i History

Columnists

What happened to Waikīkī? Specifically, what happened to Waikīkī during its greatest period of change that began in the 1950s? Let’s look at these “then & now” comparisons of Waikīkī views to see very clearly how different things look today.

Why did Waikīkī change so much in the last 70 years? The growth of tourism, of course, was responsible. Speaking economically, it’s extremely fortunate that tourism did increase so dramatically during this period as it served to fill in the gap created as large-scale agriculture (sugar and pineapple) either contracted dramatically, or died altogether. These had been the foundation of the economy of the Hawaiian Islands but were outcompeted by other tropical countries, where workers were paid considerably less and thus their agricultural products were cheaper as well. This has been, and continues to be, the reason for the loss of domestic production in the United States and indeed worldwide.

When did Waikīkī's major changes begin? This is easy to pinpoint: it was the year 1955. That was when four new 10-story buildings were completed here; the Waikīkī Biltmore Hotel, the Princess Ka‘iulani Hotel, the Reef Hotel, and the Rosalei apartments. As insignificant as this would seem today, it marked a shift away from downtown as the focus of new construction, as well as starting Honolulu on its vertical growth.

We can also single out the shift in transportation for Waikīkī's increase in density, which was the replacement of cruise ships by airplanes for increasing numbers of tourists after World War II. While air travel grew significantly during the 1950s it was really the introduction of jets that kicked off the explosion. The first jets arrived in Hawai‘i in 1959, cutting hours from the trip from the west coast, carrying far more passengers on each flight compared to propeller planes and — most significantly — reducing air fares. Waikīkī couldn’t help but grow to accommodate all these new people. A major milestone was unexpectedly realized in late 1967 when the one-millionth tourist arrived for that year, ahead of what economists had predicted. There would be no looking back.

A change you might notice in these various pairs of Waikīkī views is the great increase in growing green vegetation today. This has been true in many parts of Honolulu and because trees increase so slowly in size, we don’t notice how large they’ve become until we see an older photo to be able to spot the difference. Kalākaua Avenue has benefitted from more than one improvement project since the 1960s, to where today’s sidewalks are paved with hand-set stones, many with inscriptions in Hawaiian. Shady shower trees along with grass and various shrubs greatly enhance the district’s appearance, and maintenance workers are on the job each day to sweep and clean. Waikīkī creates the biggest part of the income from tourism and its importance in keeping this income steady was recognized years ago — so this necessary work goes on.

By the late 1970s much of Waikīkī looked as it does today, because while more towers have certainly been constructed since then, much of what we know now was in place. Although Waikīkī has been a crowded and densely urbanized district for decades, and has been criticized for that, it must be said that a great many visitors enjoy this vitality and the over-abundance of things to see and do. And even while Waikīkī is undeniably a city of itself, it is still located on the magnificently blue Pacific Ocean, with the Ko‘olau Mountains as one backdrop and Diamond Head as another, with the trade winds often blowing through it. And love it or hate it, we owe our economy to it, and had therefore better make sure it continues to function as smoothly as possible.

1 Kuhio Ave 64 16x9

<title>What happened to Waikīkī?</title>

Back in the Statehood era, you could see Punchbowl from Kalākaua Avenue and Diamond Head from Kūhiō Avenue. ASD history columnist DeSoto Brown pairs then-and-now photos to show the dramatic changes from a low-rise Waikīkī to today's bustling mini-metropolis.

What happened to Waikīkī?

Amy Miller

Viewpoints

Government & Politics

The COVID-19 pandemic may feel like a distant memory to many, but at 

, we’re actually distributing more food today than we did during the height of that crisis. During the fiscal year that ended June 30, Hawaiʻi Foodbank distributed more than 26 million pounds of food into our community. Before the pandemic, we typically were distributing between 10 million and 12 million pounds each year — less than half of what is needed today to support our food insecure neighbors.

I wish I could tell you that demand was beginning to ease. Instead, we’re seeing more and more people turn to us for help, including many who have never needed food assistance before.

As Oʻahu voters receive their general election ballots, they will be asked to consider Question 1, a proposed 

that would establish a dedicated Food Security Fund. The fund would dedicate 0.5% of existing estimated real property tax revenues annually to improving food access and strengthening Oʻahu’s local food supply. This is not a new tax — it simply gives voters a choice in how their existing tax dollars are spent.

Behind the growing demand for food assistance are our neighbors, coworkers and friends. They’re parents working full-time jobs, kūpuna living on fixed incomes and families who are doing everything they can to keep up with Hawaiʻi's high cost of living.

For many households, one unexpected expense can mean the difference between having enough food and going without. A car repair, medical bill or reduction in work hours can quickly upend an already stretched budget. When disaster strikes, that financial vulnerability becomes even more apparent.

We’ve seen it this year as severe weather has disrupted communities across our Islands. Families have lost electricity and groceries they cannot afford to replace, while others have lost wages when businesses closed or work was interrupted. 

 surged in the aftermath, and once again, our community responded with tremendous generosity. I’m grateful for that spirit of aloha, which makes our work possible. But too many families are struggling even when there isn’t an emergency.

, one in four O‘ahu households experienced food insecurity. For some families, this means worrying about whether their groceries will last until their next paycheck, and pivoting towards less healthy, cheaper foods. For others, it means skipping meals or going an entire day without eating.

The consequences extend beyond hunger. Food insecurity is associated with serious health conditions, including diabetes, cancer and heart disease. Children who lack adequate nutrition can struggle to concentrate and learn. The effects reach into our schools, workplaces and communities.

At Hawaiʻi Foodbank, our immediate responsibility is to help people get the food they need today. We are privileged to work with hundreds of community partners to distribute groceries, fresh produce and other nutritious foods to households throughout Oʻahu and Kauaʻi.

But emergency food assistance alone cannot solve the underlying problem. We also need to strengthen the systems that produce, distribute and provide access to food. That includes supporting local farmers and producers, improving distribution networks and creating more opportunities for locally grown food to reach the people who need it.

A stronger local food system also contributes to our resilience. When severe weather or other emergencies disrupt transportation and supply chains, having reliable local sources of food and the infrastructure to distribute it becomes especially important.

Question 1 would establish a recurring source of City funding — using existing revenues, not new taxes — for programs focused on local food production and access. Voters will decide whether that funding should be dedicated through the City Charter.

From my perspective, I can’t think of a better way to spend my tax dollars than making sure our neighbors have enough healthy food to eat while also investing in our local economy and building resilience for the future at the same time. I will be voting yes and I hope you will, too.

 about author Amy Miller, president and CEO of Hawaiʻi Foodbank, Hawaiʻi’s largest hunger relief organization.

Hawaii Foodbank exterior

<title>Community Voices: Food security fund put on the ballot as Hawaiʻi's hunger crisis…</title>

Question 1 would establish a recurring source of City funding — using existing revenues, not new taxes — for programs focused on local food production and access. Voters will decide whether that funding should be dedicated through the City Charter, according to Amy Miller, president and CEO of Hawaiʻi Foodbank.

Daily Smile: Tuesday, April 28, 2026

ASD Staff

Reporter

More in Daily Smile

Daily Smile: Saturday, Oct. 24, 2026

Daily Smile: Friday, Oct. 23, 2026

Daily Smile: Thursday, Oct. 22, 2026

Daily Smile: Wednesday, Oct. 21, 2026

Most read

Daily Smile: Tuesday, April 28, 2026

Authors

ASD Staff

Reporter

More in Daily Smile

Daily Smile: Saturday, Oct. 24, 2026

Daily Smile: Friday, Oct. 23, 2026

Daily Smile: Thursday, Oct. 22, 2026

Daily Smile: Wednesday, Oct. 21, 2026

Most read