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Daily Smile

[{"type":"text","text":"A costume for every day of the week is something I could get behind..."}]

Smile 26 10 26 2

<title>Daily Smile: Monday, Oct. 26, 2026</title>

A costume for every day of the week is something I could get behind...

Daily Smile: Monday, Oct. 26, 2026

 A costume for every day of the week is something I could get behind...

Christian Shimabuku Headshot

Christian Shimabuku

Sports

[{"type":"text","text":"Better late than never. "}]

In its first ever meeting against Northern Illinois, the University of Hawai‘i football team kept its bowl hopes alive with a dominant 56-21 victory on Saturday, improving to 2-6 overall for the 2026 season and 1-4 in Mountain West Conference. NIU, meanwhile, fell to 0-7 overall and 0-3 in conference games.

Northern Illinois, a new member of the Mountain West Conference, hosted the Rainbow Warriors in DeKalb. The Rainbow Warriors traveled 4,255 miles, the longest road trip for a 

 in college football history. Somewhere along the way, the 'Bows rediscovered the same offensive philosophies that made them successful in 2025. A balanced offensive attack in which it racked up 504 yards and five rushing touchdowns lifted the Rainbow Warriors to victory on Saturday. In recent Hawai‘i losses, a common criticism of the 'Bows was that the team was too reliant on the pass. 

A methodical 12-play, 75-yard opening drive that shaved 5:47 off the clock and ended with a 2-yard 

 rush got the scoring started for the Rainbow Warriors on Saturday. The Rainbow Warriors and Huskies appeared poised to exchange touchdowns when NIU tied the game at 14 with 13:46 in the second quarter on the second score of the day between quarterback Taron Dickens and receiver DeAree Rogers. 

From there, the Rainbow Warriors pulled away with a 35-0 run, a relentless stretch that began in the second quarter and by the time it ended in the fourth quarter, the damage was more than done. In all, the Rainbow Warriors scored eight touchdowns on offense and forced four turnovers on defense, an overpowering performance on both sides of the ball. Even special teams got in on the action with a fumble recovery on a Northern Illinois punt return. 

As a team, the 'Bows ran the ball 42 times, led by Rice's three scores on 12 carries for 71 yards. Meanwhile, Cam Barfield added 58 yards on 16 carries for an additional score. True freshman 

TJ Fo'ilefutu carried the ball four times for 20 yards, including his first career touchdown in the fourth quarter for the game's final score, a touchdown that helped the 'Bows eclipse 50 points for the first time during Timmy Chang's tenure as head coach. UH's 56 points were the most the Rainbow Warriors have scored since a 59-41 victory over Navy on Sept. 1, 2018. 

Hawai‘i's efforts in the run game freed up the team's aerial attack, a return to form for quarterback Micah Alejado, who completed 22 of his 32 passes for 323 yards and three touchdowns. Two of his touchdowns went to Frank Abreu, who added to his team lead of three receiving touchdowns. No other player has hauled in more than one for the Rainbow Warriors in 2026. Additionally, sophomore receiver Josiah Fetui scored his first career touchdown on a 44-yard reception in the third quarter. Alejado threw an interception in the fourth quarter, but by then, the game was well in hand with the 'Bows up 49-14. He was promptly subbed out in favor of backup Bjorn Jurgensen as Chang called off the dogs. 

Defensively, the Rainbow Warriors had fumble recoveries from Elijah Palmer and 

 in addition to interceptions from Jeremiah Hughes and true freshman Kydel Stone. Palmer also finished with a team-high eight tackles. 

Just as the Rainbow Warriors appeared to find their groove, they will be idle next week with a bye. Hawai‘i will next take the field on Nov. 7 for a road contest at UTEP. 

DeVon Rice 102426

<title>Hawai‘i football breaks out of slump with dominant performance at Northern Illinois</title>

The Rainbow Warriors kept their slim bowl hopes alive after scoring eight touchdowns and forcing five turnovers on Saturday.

Hawai‘i football breaks out of slump with dominant performance at Northern Illinois

Katie Helland Headshot

Katie Helland

Arts & Entertainment

Aloha Spirit

 is playing slack key guitar in the airport. To his left are cousins and to his right is his girlfriend, more cousins and his grandparents, Milton and Anne Lau, the founders of the Hawaiian Slack Key Guitar Festivals.

A flight attendant for Hawaiian Airlines walks by and smiles.

In less than 26 hours, this group of 10, which includes six grandkids and two of their girlfriends, will be putting on the 29th Annual Hawaiian Slack Key Guitar Festival - Kona Style on Hawaiʻi Island. The festival, 

organized by the Kī-hōʻalu Foundation, Inc., took place Sunday, Oct. 18. Celebrating almost 30 years of music, it is older than most of the ʻohana making it happen.

Over 44 years, Milton and Anne Lau, who live in 

 have put on more than 140 festivals across the state. That number doesn’t count slack key guitar festivals held on the Mainland and in Japan. This year, they have already orchestrated festivals on Oʻahu, Maui and Hawaiʻi Island, with Kauaʻi just a few weeks away. Next year will mark 45 years of festivals on Oʻahu, 36 on Maui, 35 on Kauaʻi, and 29 on Hawaiʻi Island.

[{"type":"text","text":"Anne is 70. Milton won’t disclose his age on the record. "}]

At the moment, as the family waits for their plane at the Daniel K. Inouye International Airport in Honolulu, laptops and tablets are open. Coffee is in hand. Milton explains that two grandsons will be continuing a three-generation family legacy by playing this weekend: Micah at the start of the festival and Ryder in the middle of it.

For this festival, many of the artists won’t arrive in Kona until Sunday, but the Lau family is heading over a day earlier.

“Aloha, Flight 1108 will now begin boarding...” a voice drones over the loudspeaker.

Suddenly, Ryder zips his guitar into its bag. It’s about 20 minutes to take-off and the ʻohana is on the move.

As the family boards the plane, the sound of slack key guitar music fills the cabin over the speakers. The melodic chords of “Radio Hula” drift across the aircraft, and soon the plane is airborne.

The flight between Honolulu and Kona is less than an hour. As the aircraft begins its descent, the captain announces it is 84 degrees.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“Winds are west today,” he adds."}]

[{"type":"text","marks":[{"type":"textStyle"}],"text":"We’re in Kona."}]

The grandkids collect the luggage, while Milton and Anne head to the car rental to grab rides. Normally, they drive vans, but today they have a Nissan Armada and a Wagoneer. Milton arrives in one, and Anne, who normally drives a Prius, is in the other.

This is Anne’s second trip to Hawaiʻi Island in the past six months. She was last here in April to watch her granddaughter, Kala Lau, perform at the Merrie Monarch Festival.

It’s hot and humid. The first year of the Kona festival, the event was held outdoors, Milton explains. They quickly decided not to do that again.

“Since then, we’ve been indoors and air-conditioned,” he adds.

In the car, the air conditioning is on and pop music is playing. The vehicles pull into a parking lot about four miles from the airport and the family is making its first stop: Mrs. Barry’s Kona Cookies. The ʻohana fills the store, where a sign on the wall inside reads: “Happy Birthday Mrs. Barry 90, loved and blessed.”

Milton and Anne begin ordering cookies for the entire family. Haukea, who is the youngest Lau on the trip, is especially excited.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“Yay!” she says."}]

After, Milton, Anne, Haukea, and her sister, Olena, head to Costco to get canned food for The Salvation Army, which will collect cans at the festival.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"But, cookies had to come first."}]

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“Priorities,” says Anne."}]

As the car follows the ocean toward Outrigger Kona Resort & Spa, the Laus share how they met. Anne grew up on the West Coast in Washington. She moved to Oʻahu to attend the University of Hawaiʻi at Mānoa and never left. More specifically, she met Milton.

They met by accident — literally. The young surfer ran into her while riding his bicycle. He was single, so after making sure she was OK, he decided to invite her to a party.

“And the rest is history!” adds Anne, with a laugh.

They have been married more than 50 years. Together, they share 14 grandkids, six of whom are on this trip.

Milton and their son, Chris, have won a Nā Hōkū Hanohano Award and been nominated for three Grammy Awards as producers. As a musician, Milton started his career playing top 40 music in clubs and has played bass guitar, guitar and piano. Chris plays bass.

“I play the radio,” Anne tells Aloha State Daily later.

In the back seat, Haukea practices the multiplication table of 12. The full-size SUV veers toward a road with an entrance lined in palm trees, and suddenly the sign for the Outrigger Kona Resort & Spa is in sight.

As Anne pulls into the valet, she rolls down the window to say hello to Ron, who has worked here for many years.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“We’re back!” she says."}]

Slack key guitar predates the ʻukulele in Hawaiʻi. When the 

Brittish gifted cattle to King Kamehameha I

 in the early 1800s, they ran wild. Eventually, King Kamehameha III brought in 

, or Spanish-Mexican cowboys, to teach the Hawaiians how to handle the cattle. And the vaqueros brought guitars.

“Hawaiians never even saw that kind of instrument before,” Milton said. “I guess at the end of the day, they would play the guitars around the campfire and whatever. And the Hawaiians were fascinated.”

When the contract ended, the vaqueros headed back to California and left their instruments.

“But they didn't give them any lessons,” he said. “That meant they had to figure out how to play this stuff.”

The paniolo, or Hawaiian cowboy, did not know how to tune a guitar and simply adjusted the strings until it sounded pleasant. 

,” Milton said. “The different cowboys and their families came up with their own tunings, and they wouldn't tell the other guys what their tunings were.”

[{"type":"text","marks":[{"type":"textStyle"}],"text":"Today, there are fewer secrets."}]

“Really, it's kind of a great story about how the Hawaiians had great ears and a love of music,” he said.

Milton started the slack key guitar festivals in honor of his friend, Gabby Pahinui, a legendary slack key master who used to hold kani ka pila sessions where musicians played music at his home in Waimānalo. When asked to pick just a few words to describe Pahinui, Milton selected inspirational and charismatic.

“And kolohe,” adds Anne, using the Hawaiian word for mischevious.

After Pahinui died in 1980, the City and County of Honolulu dedicated the pavilion at Waimānalo Beach Park

in his name. Milton helped organize a festival in Waimānalo to celebrate Pahinui’s contributions to music, and about 5,000 people showed up, he said. It was so popular, they brought it back the next year, moving it to the Lester McCoy Pavilion at Ala Moana Regional Park.

Eventually, Milton approached the Bank of Hawaiʻi, which was the event’s title sponsor for about 15 years. Soon, the festivals were being televised.

“Then, we went three years, five years, seven years, eight years, 10 years,” Milton said. “What happened was after the 10th year, I realized that if people are interested with this in Honolulu, maybe other Neighbor Islands, they would be interested. I expanded to the Neighbor Islands and I started with Maui.”

At one point, there were festivals on Molokai and in Japan, as well as across the Mainland, including in Washington, Oregon, Nevada, California, New York, New Jersey, Maryland and Virginia. But eventually, it became hard to live in so many hotels, Milton said. Today, the festivals on Oʻahu, Maui, Hawaiʻi Island and Kauaʻi remain.

Now, the events are funded with grants from the Hawaiʻi Tourism Authority, which has sponsored the festivals for about 25 years.

The festivals are also run with a whole lot of family support.

“I gotta tell you that if I didn't marry her, probably the festival wouldn’t continue,” Milton said, as he sits next to his wife.

“In the early days, we would do a whole lūʻau for the musicians,” Anne adds.

She and Milton’s parents would be backstage preparing the food.

“It’s kept our family really close,” she said.

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"Showtime in Kona "}]

The first musician to take the stage for the 29th Annual Hawaiian Slack Key Guitar Festival - Kona Style is Milton and Anne’s grandson, Micah Lau. He jumps on stage about a half hour before the festival starts to play a set for the growing audience inside the Kaleiopapa Convention Center.

After playing a few songs, Micah tells the audience he is trying to learn “Radio Hula” and “Yellow Ginger Lei” from Uncle 

“I’ll play until I don’t remember the rest,” he says.

He starts the first chorus, and the crowd 

As the official program starts, entertainers of all ages take the stage and share the many sounds of slack key guitar. One of them yodels. Another adds the sound of a train.

The musical line-up for this festival features 15 musicians from across the state, including the Nā Hōkū Hanohano Lifetime Achievement Award honoree 

, who was born and raised on Oʻahu; Anthony Pfluke, who recently won the Nā Hōkū Hanohano Award for 

, who recently won the Nā Hoku Hanohano Award for 

 and was born and raised on Hawaiʻi Island.

In the middle of the festival, Milton and Anne's grandson, Ryder, takes the stage. The first time he performed at a slack key festival was three years ago on Kauaʻi, his grandfather explains. Milton gave him six months to learn the song.

“And all the musician uncles came up in the front row,” adds Anne, as she remembers that first performance at a festival. “No pressure.” 

Sometimes musicians request that one of their granddaughters dance hula, as recently happened in Waikīkī, when Kala performed under the stars. Today, she is taking pictures.

After the festival, Milton and Anne return the sound system and take the entire family out to get hamburgers to celebrate.

In just three weeks, the family will bring another festival to the state. The 

34th Annual Hawaiian Slack Key Guitar Festival - Kauaʻi Style

 will take place from 1 p.m. to 5 p.m. at the Outrigger Kauaʻi Beach Resort & Spa. Kamaʻāina can buy tickets at the door to see a line-up of at least a dozen artists, including multiple Nā Hōkū Hanohano Award winning musicians, for $15.

Milton plans to run the festivals for at least 50 years.

“I know that one day I’m not going to be able to do it,” he said. “The good thing is the family has been involved a long time. All the musicians have been involved. And they all tell me: ʻHey don’t worry because when you're not able to do it, we're going to work with your kids or sons and whatnot to keep it going.’ ”

As he speaks, Ryder plays slack key guitar quietly in a lounge at Ellison Onizuka 

[{"type":"text","marks":[{"type":"textStyle"},{"type":"italic"}],"text":" "}]

34th Annual Hawaiian Slack Key Guitar Festival – Kauaʻi Style

[{"type":"text","marks":[{"type":"textStyle"},{"type":"italic"}],"text":"Sunday, Nov. 8"}]

[{"type":"text","marks":[{"type":"textStyle"},{"type":"italic"}],"text":"1 p.m. to 5 p.m."}]

Kamaʻāina tickets are $15 at the door. Tourists tickets are $25.

Festival family

<title>When music meets ʻohana: In tune with the Lau family</title>

Anne and Milton Lau have organized slack key guitar festivals across Hawaiʻi for more than 40 years. The festival founders share how three generations of family celebrate the tradition of kī-hōʻalu, or slack key guitar, and keep a musical tradition alive.

When music meets ʻohana: In tune with the Lau family

Square Mike Brestovansky Headshot RGZ3736 Large

Michael Brestovansky

Crime & Courts

A man who allegedly shot an elementary school building in ‘Aiea last month faces up to 15 years in federal prison.

According to U.S. District Court records, Honolulu resident Joseph Chester Brown, 51, allegedly fired a gun during a road rage incident shortly after noon on Monday, September 21 near ‘Aiea Elementary School.

Honolulu Police officers learned that two men were seen arguing just outside the elementary school campus, shortly before a gunshot was heard coming from the direction of their altercation.

Later, a fresh bullet hole was found in the wall of a nearby school building. School was in session at the time of the shot.

A subsequent police investigation identified Brown as the alleged shooter. The other man in the altercation told officers that he had been standing next to his truck when Brown drove up to him and pointed a firearm at him.

Brown was arrested on Oct. 22. During his arrest, he was reportedly in possession of a loaded firearm with the serial number filed off.

Brown has a criminal history in Hawai‘i: in 1999, he was sentenced to 20 years in prison for first-degree robbery, and was released in 2018. Consequently, Brown, as a convicted felon, is not permitted to own a firearm.

However, Brown was not charged with being a felon in possession of a firearm, nor with possession of a firearm with an obliterated serial number, both of which have sentences of up to 10 years in prison. Instead, he was charged in U.S. District Court with unlawful transport of ammunition, a charge carrying a maximum sentence of 15 years in prison, and a fine of up to $250,000.

According to an HPD report, the ammunition used in the altercation necessarily must have been transported to the state. Convicted felons are prohibited by federal law from any interstate transportation of ammunition, hence the more severe charge.

Brown pled not guilty to the charge on Friday, but remains in the custody of U.S. Marshals. Federal prosecutors have requested that Brown be held without bail; a hearing on that matter is scheduled for Oct. 28, and a trial is set for Dec. 22.

Hpd 16x9

<title>Honolulu man charged for allegedly shooting ‘Aiea school building</title>

Joseph Chester Brown faces 15 years in federal prison over road rage incident.

Honolulu man charged for allegedly shooting ‘Aiea school building

Stephanie Salmons Headshot

Stephanie Salmons

Business & Tourism

The people have voted and these local distilleries, tasting rooms and speakeasies are among the best in the nation, according to USA Today's 10Best Readers' Choice Awards.

The awards aim to rank the 10 best in several areas of travel, lifestyle and other categories.

 Tasting Room ranked No. 3 on the list of 

, joining others from Tennessee, Vermont, Maryland, Ohio, Utah, Oregon, Michigan, Nevada and Colorado.

"On the island of Kauaʻi, Kōloa embraces its history stemming from the old plantation days by recreating this timeless ambience for its tasting room," the list reads. "Open Monday through Saturday for scheduled tastings, visitors can try their variety of single-batch, premium Hawaiian rums neat or in craft cocktails. They also present rum cakes and rum fudge sauce for a unique culinary souvenir."

We are excited to be recognized by USA Today 10Best as one of the top tasting rooms in the nation! We take so much pride in our ‘ohana and in welcoming visitors from near and far to experience our delicious rums," the Kōloa Rum team said in a statement provided to Aloha State Daily. "Our newly improved tasting room is a place where we can share our craft, celebrate our island home and serve up the spirit of aloha to everyone who walks through our doors

[{"type":"text","text":"Here's who else made recent 10 Best lists:"}]

Voting is still underway for several travel-related categories, including 

 is among the airlines you can vote for in each of those categories. Vote once a day until 6 a.m. Monday, Oct. 26. The 10 winning airlines will be announced Nov. 4.

Koloa rum

<title>Hawai‘i distilleries, tasting rooms and speakeasies make new 10Best lists</title>

The USA Today's 10Best Readers' Choice Awards aim to rank the 10 best in several areas of travel, lifestyle and other categories. See where these Hawai‘i businesses landed.

Hawai‘i distilleries, tasting rooms and speakeasies make new 10Best lists

De Soto 2025

DeSoto Brown

Hawai‘i History

Columnists

What happened to Waikīkī? Specifically, what happened to Waikīkī during its greatest period of change that began in the 1950s? Let’s look at these “then & now” comparisons of Waikīkī views to see very clearly how different things look today.

Why did Waikīkī change so much in the last 70 years? The growth of tourism, of course, was responsible. Speaking economically, it’s extremely fortunate that tourism did increase so dramatically during this period as it served to fill in the gap created as large-scale agriculture (sugar and pineapple) either contracted dramatically, or died altogether. These had been the foundation of the economy of the Hawaiian Islands but were outcompeted by other tropical countries, where workers were paid considerably less and thus their agricultural products were cheaper as well. This has been, and continues to be, the reason for the loss of domestic production in the United States and indeed worldwide.

When did Waikīkī's major changes begin? This is easy to pinpoint: it was the year 1955. That was when four new 10-story buildings were completed here; the Waikīkī Biltmore Hotel, the Princess Ka‘iulani Hotel, the Reef Hotel, and the Rosalei apartments. As insignificant as this would seem today, it marked a shift away from downtown as the focus of new construction, as well as starting Honolulu on its vertical growth.

We can also single out the shift in transportation for Waikīkī's increase in density, which was the replacement of cruise ships by airplanes for increasing numbers of tourists after World War II. While air travel grew significantly during the 1950s it was really the introduction of jets that kicked off the explosion. The first jets arrived in Hawai‘i in 1959, cutting hours from the trip from the west coast, carrying far more passengers on each flight compared to propeller planes and — most significantly — reducing air fares. Waikīkī couldn’t help but grow to accommodate all these new people. A major milestone was unexpectedly realized in late 1967 when the one-millionth tourist arrived for that year, ahead of what economists had predicted. There would be no looking back.

A change you might notice in these various pairs of Waikīkī views is the great increase in growing green vegetation today. This has been true in many parts of Honolulu and because trees increase so slowly in size, we don’t notice how large they’ve become until we see an older photo to be able to spot the difference. Kalākaua Avenue has benefitted from more than one improvement project since the 1960s, to where today’s sidewalks are paved with hand-set stones, many with inscriptions in Hawaiian. Shady shower trees along with grass and various shrubs greatly enhance the district’s appearance, and maintenance workers are on the job each day to sweep and clean. Waikīkī creates the biggest part of the income from tourism and its importance in keeping this income steady was recognized years ago — so this necessary work goes on.

By the late 1970s much of Waikīkī looked as it does today, because while more towers have certainly been constructed since then, much of what we know now was in place. Although Waikīkī has been a crowded and densely urbanized district for decades, and has been criticized for that, it must be said that a great many visitors enjoy this vitality and the over-abundance of things to see and do. And even while Waikīkī is undeniably a city of itself, it is still located on the magnificently blue Pacific Ocean, with the Ko‘olau Mountains as one backdrop and Diamond Head as another, with the trade winds often blowing through it. And love it or hate it, we owe our economy to it, and had therefore better make sure it continues to function as smoothly as possible.

1 Kuhio Ave 64 16x9

<title>What happened to Waikīkī?</title>

Back in the Statehood era, you could see Punchbowl from Kalākaua Avenue and Diamond Head from Kūhiō Avenue. ASD history columnist DeSoto Brown pairs then-and-now photos to show the dramatic changes from a low-rise Waikīkī to today's bustling mini-metropolis.

What happened to Waikīkī?

Yamachika Tom IMG 1913 Large

Tom Yamachika

Viewpoints

Government & Politics

In the upcoming general election, Hawaiʻi voters will be asked to authorize the issuance of “Resilient Infrastructure for Shelter and Equity,” or RISE, bonds. We have been getting a lot of questions about these.

For those who would like a more comprehensive explanation of what these are along with their risks and benefits, the 

Hawaiʻi Institute for Public Affairs (HIPA) has put a lot of work into breaking the issue down

RISE bonds are a form of tax increment financing. It’s not a new concept and has been done in several other places. The basic idea is that a city, county, or other jurisdiction that has a property tax sets up a zone that is to be developed. The jurisdiction borrows money to finance infrastructure, such as water and sewer lines, to be built in the zone. It agrees that any property tax collected from that zone that is above the amount it collected before the development, namely the “tax increment,” is dedicated to pay off principal and interest on the bonds. If everything goes well, the infrastructure is built, more housing is built around and above it, and the bonds are paid off via the tax increment.

 everything goes well, that is. Hold that thought; we will come back to it.

For those of you who think, “But don’t we already have laws on the books authorizing tax increment bonds?” you would be right. 

 to 46-113, HRS, entitled “Tax Increment Financing,” are indeed on the books and have been since 1985 (Act 267, Session Laws of Hawaiʻi 1985). We understand that these bonds were never authorized because some in our Attorney General’s office believed that a constitutional provision, not just a statute, was needed to authorize this kind of bond. Thus the need for a constitutional amendment.

The amendment being presented to voters, however, goes further. There is currently a debt limit written into the Hawaiʻi Constitution; we have had a debt limit since we became a state, as the Hawaiʻi Supreme Court wrote in 

78 Haw. 157, 890 P.2d 1197 (1995).  The constitutional amendment would add language saying that RISE bonds don’t count against the debt limit.

This part of the amendment is what gives us pause. We have a limit on how much the county can borrow. This limit protects us against government borrowing too much and putting taxpayers on the hook for something today that a later government might not be able to fix easily. RISE bonds are borrowing. Both RISE bonds and other county debts are paid back from the same tax base, mostly property taxes. So why does one kind of debt count and the other kind not count?

Let’s go back to the question we parked before. What happens if the development does not go as planned? Maybe there are cost overruns, permitting delays, or unforeseen developments like the discovery of ancient Hawaiian burial sites where infrastructure was planned. The county has still borrowed the money and still needs to pay it back with interest. Who winds up holding the bag? Would we try to saddle the developer(s) with it? If so, then the prices of housing the developer builds will inevitably get hoisted. Do we call this a county-wide problem, and brace for a property tax increase? Or do we do some combination of the above?

At this point, legitimate questions can and should be raised about how these RISE bonds are going to work here and what the off-ramps are if things go south.

Daily Smile: Monday, Oct. 26, 2026

ASD Staff

Reporter

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Daily Smile: Monday, Oct. 26, 2026

Authors

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