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ASD Staff

Hawaiʻi Scene on Social

[{"text":"Things can go wrong when you try to make a good impression!","type":"text"}]

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<title>Hawai‘i Scene on Social: Must be the "seefood" diet</title>

Today's social media find comes from hawaiisonly, living off the bounty of the ocean.

Hawai‘i Scene on Social: Must be the "seefood" diet

Things can go wrong when you try to make a good impression! 

Kelli Shiroma Braiotta Headshot

Kelli Shiroma Braiotta

Food & Dining

, is now open to the public. The Pinehopple Room is located on the second floor, directly above the Kaka

The space was previously home to the HI Brau Room, Aloha Beer Co.’s speakeasy that the biz operated primarily as a private event space.

“We always loved the room and felt like it had so much character,” says Candice Ishikawa, Aloha Beer Co.’s head of marketing and brand. “People who discovered it seemed to immediately fall in love with it, and we saw an opportunity to reimagine the space as something more distinctly connected to Aloha Beer and to Hawaiʻi, while opening it back up for more people to enjoy.”

Ishikawa explains that The Pinehopple Room concept came from the idea of taking the creativity and craft that goes into brewing beer and applying that same spirit to cocktails and hospitality.

“We wanted to create an intimate, upscale lounge that still felt unmistakably part of Aloha Beer, while offering a different side of Aloha Beer from the casual beer garden downstairs,” she says. “The name ‘Pinehopple’ comes from our logo icon and is a play on pineapple and hops, bringing together something immediately evocative of Hawaiʻi, with our roots as a brewery.”

[{"type":"text","text":"The venue’s name impacted its décor and ultimate vibe."}]

“We didn’t want to lose the darker, intimate character that made the original space special, so we built it with a vintage Hawaiʻi-inspired aesthetic, adding tropical botanicals, greenery, warm lighting and other details that make the room feel lush and inviting,” Ishikawa says.

She says The Pinehopple Room’s beverage program is where “the concept comes to life.” The drinks were inspired by the golden age of Hawaii cocktail culture, but the team wanted to bring its own unique twist to the beverages.

“We kept coming back to the idea that classic Hawaiʻi cocktails deserve to be remembered, not simply replicated,” Ishikawa says. “We’re taking those flavors and traditions, and reinterpreting them through fresh ingredients, thoughtful technique and our perspective as a craft brewery.”

So far, popular cocktails include the tropical itch ($18), Molokai fogcutter ($16) and paradise of the Pacific ($21). The tropical itch is made with 

bourbon, rum, orange curaçao, lilikoʻi, pineapple and a dark rum float; the Molokai fogcutter features aged and white rums, pineapple, lilikoʻi, lemon and orgeat; and paradise of the Pacific includes aged rum, tamarind, pineapple and hibiscus grenadine, according to Ishikawa.

Customers can also enjoy a scorpion bowl for two ($38), which is served in a vintage-inspired fish bowl. The drink is designed to be shared and also doubles as a fun centerpiece for the table, according to Ishikawa.

She also explains that The Pinehopple Room team is excited to offer a series of guided spirit flights.

“Guests can explore bourbon, Scotch, international whiskies, agave spirits, and Caribbean rum or Hawaiʻi-made rum, with a guided tasting sheet that provides some background and context for each pour without making the experience feel overly formal,” she says.

Customers can also enjoy light bites that pair naturally with the cocktails. Highlights include Pinehopple sashimi trio (market price) — served with a lilikoʻi-wasabi glaze — Pinehopple shrimp cocktail ($12), spinach dip salmon belly bites ($18), Cuban sliders ($13), paprika chicken pops ($18) and a salami caprese flatbread ($15).

“On the food side, we wanted dishes that were easy to share and felt at home alongside the cocktail program,” Ishikawa says.

The Cuban sliders feature brioche buns stuffed with mayo-mustard, ham, kalua pork, Swiss cheese, pickled cucumbers and cilantro-orange sauce. The paprika chicken pops comprises chicken drummettes in paprika batter, served with blue cheese honey-Red Zeppelin buffalo sauce and celery curls. So far, the chicken pops, spinach dip salmon belly bites and sliders have been customer favorites.

Ishikawa explains that The Pinehopple Room team has been excited to welcome guests and have them experience “the way different kinds of craft come together in one space.”

“Pinehopple is also about the experience around what’s in the glass,” she says. “There’s a sense of nostalgia and vintage Hawaiʻi hospitality without trying to recreate a specific era. We want it to feel special, but never overly formal — a place where people can slow down, connect and stay awhile.”

The Pinehopple Room is currently open from 5 to 11 p.m. on Fridays and Saturdays. The lounge does not have a formal reservation system set up and is primarily open for walk-ins, but if a customer calls ahead, the venue can hold a table for them, according to Ishikawa.

“Aloha Beer has always been about creating places for people to gather, and Pinehopple gives us a new way to do that,” Ishikawa says. “Someone can have a beer in the beer garden downstairs, then head upstairs for a cocktail or whiskey flight and feel like they’ve stepped into an entirely different experience without ever leaving Aloha Beer. We’ve loved this room for a long time, and we’re excited to finally open the doors and share it with more people.”

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<title>The Pinehopple Room is a new upstairs lounge in Kakaʻako</title>

Located upstairs from Aloha Beer Co. on Queen Street, The Pinehopple Room — previously home to the HI Brau Room speakeasy — recently opened to the public. The upscale lounge features a vintage Hawaiʻi-inspired aesthetic, along with classic Hawaiʻi cocktails with a modern twist.

The Pinehopple Room is a new upstairs lounge in Kakaʻako

Kam Napier Headshot

A. Kam Napier

Columnists

Government & Politics

Aloha State Daily received a press release today from a Mainland-based national interest group, U.S. Term Limits (USTL), letting us know that “2026 Hawai‘i state senate candidate, Wallyn Christian (District 13) has committed support for term limits on Congress by signing the term limits convention pledge.”

Why does this matter to that organization? “(USTL, the leader in the national, non-partisan movement to limit terms for elected officials, is gathering support from state lawmakers across the nation,” the statement says. “Its mission is to get 34 states to apply for an amendment proposal convention specific to term limits on Congress.”

Term-limiting Congress is a popular idea, and USTL cites a 

 that, “An overwhelming majority of adults (87%) favor limiting the number of terms that members of Congress are allowed to serve. This includes a majority 56% who strongly favor this proposal, just 12% are opposed.”

The idea emerges often for local politicians, as well. Civil Beat has found public support for term limits to be as high as 70% in a 2018 poll of likely voters, a stat Honolulu Civil Beat resurfaced 

 of the lawmakers themselves to see where they stand on the idea of limiting their own time in office. “Nearly half of House members and more than a third of senators say they support term limits. There are enough undecideds in both chambers to give it a good shot if they held their position for two years,” CB found.

Respectfully, all of these people are wrong. Well intentioned, but they're aiming term limits at the wrong people.

I mean, I totally understand where the frustration is coming from. We elect people, nationally and locally, then are disappointed in their results. We could end their terms ourselves by simply not reelecting these people and yet obviously a lot of the people who say they want term limits do something very odd: They seem to reelect the lousy politicians they say they want to term limit.

You want to limit someone’s term? You’re just a month away from your next opportunity to vote for someone else!

So we’ve always had the power to fire politicians with every election, but don’t, then remain convinced that what we need is more turnover in government to make it more efficient, effective and responsive. Somebodies’ terms need limiting, but who?

Easy: The workforce. The bureaucrats. See, I want term limits, too, but I want them on the people staffing all the departments and agencies that we’re perpetually frustrated with. 

Consider, to cite just one example, how many different mayors you’ve seen over the past 20 or 30 years promise to reform the departments of planning and permitting in each county. The mayors have term limits. They come and go. Have any of them succeeded at this reform?

Honolulu Mayor Rick Blangiardi has done more than any predecessor but there’s a long way still to go.

How many Hawai‘i governors — term-limited governors — have promised Hawai‘i a public education second to none? Which of them succeeded? Who is still in place, immune to reform?

What happens in real life is, candidates make bold promises of reform, we elect them, then they announce bold plans for reform and those plans run headfirst into a culture of unfirable civil servants shielded by union protections. These folks don’t even have to noisily and aggressively oppose the reform, all they have to do is … not do it. And wait. Four years later, or eight years later, their antagonist is gone, the staff remains, with its culture of job security over excellence safely intact.

[{"type":"text","text":"We, the taxpayers and voters, then sit around wondering what happened."}]

[{"type":"text","marks":[{"type":"bold"}],"text":"Two Hawai‘i’s"}]

What’s happened is simple: Since statehood, Hawai‘i’s people have steadily split into two camps, those who work for government and everybody else. The appeal of Government Hawai‘i is the security and benefits — lifelong employment, if you want it, totally protected from market forces and competition, with solid benefits like healthcare and retirement, paid for by the rest of us in Real Hawai‘i.

If you think the security and the bennies of government jobs are a trade-off to compensate for low pay, guess again. Government Hawai‘i earns more than Real Hawai‘i.

The annual average wage of a non-government job in Hawai‘i is 

 from the state Department of Labor and Industrial Relations.

The average annual wage in state government? 

What does Real Hawai‘i get in return? One of the highest tax burdens in America for one thing, and then very little to brag about in high-quality government service. (

I would say that that two Hawai‘i’s have hardened into opposing camps, except that’s not exactly true. Government Hawai‘i drives an Us vs Them dynamic, that was never clearer to me than it was during Covid, when Government Hawai‘i showed us that it will shut the rest of down for years at a time given the slightest opportunity. It will also protect itself first, at the expense of the public is supposedly serves, as we see in the lingering effects of the schools closing for so long. That policy made no one safer, but it did mess up the kids. (And have you noticed ever since then, Government Hawai‘i takes the day off for even bad weather like it never did before, while the rest of us soldier on with our work?)

Out here in Real Hawai‘i, we grumble but otherwise settle for apathy (i.e., low voter turnout) or outright flight to states where it feels like a good life is more possible. I don’t know who Government Hawai‘i is going to tax when the last of us moves to Vegas.

With all that in mind, term limits on government service seem like the one revolution we haven’t tried, haven’t even discussed, but should. Say 10, 15 years max, total lifetime employment in government at any level. We want people to stay long enough to learn the ropes and finish things they’ve started, not so long that they just settle in and kill time until retirement.

[{"type":"text","marks":[{"type":"bold"}],"text":"The upsides:"}]

Breaks up all the pockets of resistance to change. Turnover would occur systemwide, one person at a time, as they age out. Reformers at the top have a chance building support in the workforce among newer staff.

[{"type":"text","text":"Brings in new people and new ideas in government at every level."}]

Opens up more opportunities for Government Hawai‘i and Real Hawai‘i to trade places and live in each other’s worlds. This may be the biggest upside — more of us would get a chance to feel like we had a chance to change the system from the inside and deliver the service we’ve always wanted, while more of them would be forced to realize that Real Hawai‘i is something more than subjects to be ruled and tax cows to be milked.

Forces a revolution in how government hires. Using Mayor Blangiardi again as an example, he’s talked about how it took people six months on average to get hired by the City & County of Honolulu when he assumed office. 

, he had cut that down to three months. Compared to the speed at which the private sector can hire, that’s still an eternity, and that would have to change immediately to deal with the kind of turnover we need.

(To be fair, government is not alone on this front. In my decade at Pacific Business News, I heard executives at Hawai‘i’s larger companies talk endlessly about a labor shortage. At the same time, I knew plenty of talented people who could not land great jobs. Something is seriously broken in the hiring process, and I suspect HR, especially using automated keyword-based filters on resumes, is to blame. Make Direct Hiring by Managers Great Again!)

Loss of expertise, I suppose, but we’ve seen what the accumulated expertise gets us: A chief elections officer who thought a lauhala basket suited the dignity of a Hawai‘i electoral tie-breaker and ended getting his office sued — successfully — and 

. Scott Nago has worked at the Office of Election for nearly 26 years, almost 17 of those years as its chief election officer. As Civil Beat 

, it’s just about the only place he has ever worked in his life. Well, in the private sector, you can lose your job for bungling things so badly you get sued. Under my plan, the private sector is where he would’ve been sent years ago. Had someone else, perhaps with a wider range of life experience, been at the helm, maybe that person would've made better decisions.

[{"type":"text","text":"So, OK, there are no downsides."}]

Term limits on government service. If you like this idea, spread the word. We’d be moving a mountain to make it happen. But that’s got to be better than carrying the mountain of Government Hawai‘i on our shoulders forever.

A. Kam Napier is editor in chief of Aloha State Daily. His opinions in Pipikaula Corner are his own and not reflective of the ASD team.

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People take time out of their lives to participate in the democratic process by testifying before committee hearings. Too often, the committee isn't there.

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Pipikaula Corner: Invisible Legislators

It's not getting much media attention, but the private diaries of Dr. Anthony Fauci have been published online by Sen. Rand Paul in advance of his hearings this week into Fauci and Covid-19. What they reveal across thousands of pages is man in love with the adulation he received, who privately knew that many of things he said publicly about the pandemic were wild exaggerations.

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Pipikaula Corner: Fauci revealed as fear-mongering, fame-loving fraud

<title>Pipikaula Corner: Limiting the wrong terms</title>

It's an election year, and some people are running on the popular idea that legislators and Congress should have term limits to prevent lifers from working the system. ASD Editor in Chief A. Kam Napier argues this is a great idea, with the wrong target. What if it's actually the government workforce itself that needs a term limit?

Pipikaula Corner: Limiting the wrong terms

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Sterling Higa

Crime & Courts

The Moanalua High School girls wrestling team has won five state titles in a row. That is the sort of sentence that usually ends a story. This week it begins one.

Sean Sakaida coached that team through four of those titles. He is 

, accused of producing child pornography with one of his wrestlers. Court records say he began dating the girl when she was in ninth grade.

Within a day of the FBI posting a tip form, two more possible victims came forward.

The morning after Sakaida’s arrest, the mother of his three children walked into Family Court with a handwritten petition for a protective order. She alleged that he abused her children, and she asked the court to keep him away for 20 years.

The courts have not yet ruled. But the public record is already heavy enough to ask: How did he get here?

The wrestlers were children. Their parents signed the permission slips and drove them to practice and trusted a man — and the school that hired him — to help form their daughters.

That formation is what a coach is for. A parent lends a child to a coach for a few hours a day so the child can learn to work hard, compete well, and get up off the mat.

Sakaida, by his own account, made himself available at all hours. In 2012, at Roosevelt High School, a parent accused him of kissing a 13-year-old wrestler and texting other girls as late as 3 a.m. He denied the kiss. He did not deny the texts. He told the Star-Advertiser he was only helping students with their problems, and that former students still called him “because he was always available.”

Every parent should hear alarm bells in that sentence. A 30-year-old man texting other people’s teenage daughters at 3 a.m. is not “available.” He is a threat. Teens have problems, and they should carry those problems to their parents. A coach who becomes the person they carry them to instead has not added something to a family. He has taken something from it. The best-friend coach is a type we have learned to admire. It is a type we should learn to resist.

The Department of Education investigated in 2012. But it never called the police. Sakaida was placed on leave. The next year Moanalua hired him. Moanalua’s athletic director has 

 whether the school knew about the 2012 allegations.

, and anyone with a search engine could have found it in under a minute. If Moanalua knew, that is one kind of trouble. If Moanalua did not check, that is another.

Then Sakaida won: First a few individual champions, then four state titles in a row. In 2025 the school received a complaint that he was in a relationship with a 17-year-old wrestler. The school investigated. Again, no one called the police.

Sakaida was placed on leave, his contract lapsed, and his name went into a confidential registry. According to federal prosecutors, the relationship continued for months afterward. It took a private citizen tipping the FBI in January to bring in anyone with a badge.

Wrestling is a fine sport. It builds tough, hard-working people, because the mat does not lie. It teaches responsibility, because a wrestler who loses cannot blame a teammate.

There is nothing wrong with wanting to win, and nothing wrong with winning. But the desire to win is like fire: useful in the hearth, ruinous in the curtains.

We know what that desire looks like when it gets loose. Students who live in the weight room and skip the classroom. Teenagers taking steroids to gain an edge. Schools that hire a coach with a complaint already on file because his teams bring home hardware.

The desire to win at any cost is idolatry, pure and simple, and idols always want to be fed. In this case, it appears, girls were the offering.

Here is what happens next if nothing changes. The victims will rightly sue. The DOE will settle out of court to avoid the headlines. The settlement will be sealed, and the public will pay the bill without ever learning who knew what. Records requests will die under “pending litigation.” The criminal trial will produce details, and we will consume them the way we consume cold-case podcasts, and then we will forget.

We should not. Every detail that emerges should be read as a specification for reform. A school is not a police department. When a complaint involves a possible sex crime against a child, the school’s first call should be to the people whose job is investigating crimes.

That is already the law. Hawaiʻi makes every school employee a mandated reporter, required to report suspected abuse immediately to Child Welfare Services or the police. It’s not clear that the schools did. The Legislature should ask why, in public, before the settlements seal the answer.

A coaching hire should require a check of past complaints across the whole system, not just a clean criminal record. Parents should ask who is texting their daughter at midnight, and a coach should be dismissed if the answer is him.

Moanalua has a case filled with trophies. At what cost?

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<title>Moanalua won four state titles: Who paid?</title>

In 2012, a parent accused a Roosevelt coach of kissing a 13-year-old wrestler. The next year, Moanalua hired him and he won four state titles. ASD columnist Sterling Higa on idolatry, mandated reporting, and the trophy case nobody wants to look inside.

Moanalua won four state titles: Who paid?

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Rick Hamada

There are times when a visit to the stream of consciousness does one well. 

I genuinely express a “no joy in Mudville” disclaimer when reporting on yet another severe storm and/or hurricane targeting our Island chain. And here we are again. This weekend has forecasts invoking words such as “life threatening” and “cataclysmic.” The potential for rainfall and flooding is almost biblical. The Big Island and Maui are expected to suffer the brunt of the impact and damage. I can’t imagine the effects on families who have endured so much in such a short amount of time. I cannot express enough empathy and prayers for those who find themselves in the path of such potential destructive impact. 

about four years ago. I was smitten with this Thai elementary school girl who was slaying classic and hard rock tunes busking on the streets of Phuket or playing in night markets. Even then she had a presence and an undeniable talent that was simply mesmerizing. Her performing maturity at such a young age grew to arguably the biggest stage for discovering new talent and that’s on NBC’s appropriately named, “America’s Got Talent.”  

I love these talent shows. “America’s Got Talent,” “Britain’s Got Talent,” and I’m sure I’d love “Poughkeepsie’s Got Talent” if they had a show. I am so moved by the combination of the backstory; the expression of dreams being realized and (most times) a revealing of remarkable talents by some of the most unassuming personalities. Yes, I get emotional but then again, I cry at a good Hallmark card commercial. 

Nene Royal’s multiple performances earning her an appearance in the finals of the competition is one of the greatest strings of overt talent I can remember. Her initial audition was the best. She was softly spoken, shared she was 15 years old, and the next day she turned 16 was about as endearing as it gets.  

[{"type":"text","marks":[{"type":"textStyle"}],"text":"And then it happened. "}]

[{"type":"text","marks":[{"type":"textStyle"}],"text":"You must see this. "}]

Go to YouTube and search for Nene Royal and be prepared to smile. 

I have lived in or near Downtown Honolulu for my approaching 40 years in Hawaii. I grew up in the rural Midwest, traveled and lived in Miami, Chicago, San Francisco and suburbs in between. There is a sense of energy and activity in urban America, which I prefer and enjoy. 

Honolulu has a different vibe of any other major American city. Reno, Nevada lays claim to the motto, “The Biggest Little City in the World.” I’d beg to differ. Downtown has a definite small-town pace despite having some of the most density of people both living, working and now visiting. If there’s one thing that’s irrefutable is downtown tends to close around 6 p.m. during the week and earlier on the weekends. 

I know this may be an unfair blanket statement, but it’s pretty true. 

There’s no “nightlife” on the scale of other cities. I will say though that there are great destinations in town.  

The historic Hawaiʻi Theater offers an eclectic calendar of entertainment and events nestled in one of the most beautiful venues I’ve ever seen. Murphy’s is one of the richest and most storied locations along with the relatively new experience at the AC Hotel on Bishop Street. Inside you can enjoy a top shelf restaurant (The Dotted Line ((yummy)) and a selection of rooms that give a sense of comfort and escape. There are also excellent restaurants reaching into Chinatown that are growing in popularity and recognition. 

However, Honolulu is not a bustling center of entertainment and destination for a night out in the town. Nearby Waikīkī and Kakaʻako hold those distinctions. But I have a feeling that may not be for long. 

Downtown had a rep of being a dangerous place to visit. Perhaps the reason things closed down before dark. And, yes, having lived and worked for decades in town, it was a big part of it. 

But Donnie Hathaway elegantly sang “A Change Is Gonna Come.” And that change is underway with Downtown Honolulu. 

Of all the issues, it was always homelessness that proved to be the greatest barricade. We’ve gone from the A’ala Park “Hooverville” of the early 1990’s to until recently a dramatic decrease in homeless on Fort Street Mall to River Street to Hotel Street. There’s a great reduction in the number of individuals sleeping in the doorways of businesses. You see fewer troubled folks yelling at the sky. Despite the fact that homelessness is still an issue, these improvements connote a definitely improved and safer environment. The translation is more people are willing to give town a shot, and businesses are finding urban Honolulu a place to invest for a profitable future. 

Christine Camp of the Avalon Group is a champion of Downtown Honolulu describing it as "DOHO." Mayor Rick Blangiardi’s efforts to restore the troubled Chinese Cultural Plaza is a generational accomplishment with legacy implications and the multi-agency coordination between an invigorated HPD and Department of Emergency Management Service’s CORE and others are dedicated to the restoration of the urban center and other Oahu locales. 

I know perfection is unattainable, but the pursuit is a standard to which we can all aspire. 

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<title>Hamada: There are times when a visit to the stream of consciousness</title>

ASD columnist Rick Hamada shares woes about more impending storms along with Honolulu horror stories, hidden gems and small town issues. He even shares recommendations for new music by a young Phuket artist and TV shows highlighting talent.

Hamada: There are times when a visit to the stream of consciousness

There’s a new local-style Korean plate lunch spot on Oʻahu.

Miss Kimchi Korean Barbecue opened last month in ‘Ewa Beach Shopping Center. It’s in the former space of Elim Korean Barbeque, according to Miss Kimchi Korean Barbecue operations manager Joni Yoon, who says that eatery was open for around 20 years.

The restaurant’s interior has been renovated, and the business prides itself on featuring housemade recipes and generous portions.

The restaurant’s name is inspired by Yoon’s mother, who helped build up Y’Kele Korean Barbecue in the Waikele community.

“She came out of retirement to teach me how to build a restaurant around a community in ‘Ewa Beach,” Yoon says.

The eatery, which features local-style Korean plates, offers a variety of entrees — ranging from kalbi and spicy pork to barbecue beef and meat jun — and combo plates. Combo plates come with a choice of four vegetables, two pieces of mandoo and two scoops of rice.  

The Mama’s special ($16.79) — comprising kalbi, meat jun and chicken — is the most popular combo plate, according to Yoon. Other customer favorites include the ‘Ewa Beach special ($26.79) — with kalbi, beef and chicken — and the seafood special ($25.79). The latter includes fish jun, fish katsu and shrimp tempura.

The eatery’s meat jun and kalbi plates are bestselling singular entrees.

Customers can substitute the rice for an extra veggie option. Choose from homemade banchan like kimchi, cucumber kimchi, choy sum, japchae, and shoyu potatoes.  

The business is open daily from 10 a.m. to 9 p.m.; customers can order for dine-in or takeout.

“Our customers are literally the best — the most fun, the most kind, and most loving,” Yoon says. “They’re what makes me get up and come in every day.”

91-919 Fort Weaver Road No. 102-A, ‘Ewa Beach

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<title>Miss Kimchi Korean Barbecue is now open in ʻEwa Beach</title>

The local-style Korean plate lunch spot is open in the former place of Elim Korean Barbeque. Choose from popular plates like Mama’s special, kalbi plate and seafood special.

Hawai‘i Scene on Social: Must be the "seefood" diet

ASD Staff

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Hawai‘i Scene on Social: Must be the "seefood" diet

Authors

ASD Staff

Reporter

More in Hawaiʻi Scene on Social

Enter for a chance to win tickets to see Disney’s live action adaptation of the animated film ‘Moana’

Hawai‘i Scene on Social meets Hawai‘i Skies

Hawai‘i Scene on Social: Neighborhood weather updates

Hawai‘i Scene on Social: Island vibes

Most read